Iaido Terms
Basic Terms
| Domo arigato gozaimashita | Thank you (said among trainees at the end of the course) |
| Dozo | Please (pass/go on) |
| Sumimasen | Excuse me (to give attention eg while trying to drive through a crowd) |
| Yame/Owari | Stop |
| Hai | Yes |
Levels and Titles
| Soke | Head of School (art / sword) |
| Sensei | Instructor, teacher |
| Sempai | Older student (anyone who has started iaido before you) |
| Kohai | Newer student (anyone who has started iaido after you) |
| Dan | Level (Black belt) 1 to 10 |
| Yuudansha | Members with dan |
| Iaidoka | Person who practises in Iaido |
Events
| Embu | Demonstration |
| Keiko | Practise |
| Taikai | Event matches |
| Shinsa | Exams for dan |
Bows
| Shinzen ni re | Bow in kamiza (the original is shrine). (said by the sempai) |
| Sensei ni rei | Bowing to the teacher / teachers |
| Mokuso | Close the eyes, meditation (said by the teacher) |
| To Rei | Bow to the sword |
| Naorei | As you were |
Cuts
| Kesa giri | Diagonal cutting with downward direction |
| Katate kesagiri | Diagonal cutting with one hand |
| Morote kesagiri | Diagonal cutting with two hands |
| Kirioroshi | Cutting vertically with downward direction |
| Nukitsuke | Pulling the sword from the sheath |
| Furi kaburi | Raising the sword over the head" |
| Sune gakoi | Blocking to protect the leg (shin) |
| Tsuki | «Nailing» |
| Yoko ichi monji | Horizontal cut |
| Tameshigiri | Test cutting (not done in iaido of Eishin Ryu) |
Iaido Terms
| Seiza | Kneeling (the way we sit) |
| Batto | Upright position |
| Metsuke | Look |
| Sayabiki | Movement of the sheath of the sword |
| Chiburi | Expulsion of blood, cleaning the sword |
| O-chiburi | Large or circular chiburi |
| Yoko chiburi | Horizontal chiburi, move sideways |
| Noto | Position the blade of the sword in the saya |
| Hayaosame | Faster version of the standard noto; performed during an advanced (oku) techniques (waza) |
| Shimeru | Tightness, turning the hands inward to grip the end of the cut |
| Tai sabaki | Body movement |
| Ashi sabaki | Legs movement |
| Hara | Belly |
| Kiai | Voice, cry |
| Ma | Space in space and time |
| Zanshin | Alert, observant, (the heart remains for long) |
| Waza | Technique |
| Kata | Structured exercise for two people; form or plot |
| Shidachi | Completion of the sword. Ends exercising of co-trainee |
| Uchidachi | Introduction of the sword. The aggressor in practice with couples |
Swords
| Bokken/Bokuto | Wooden Sword |
| Iaito | Sword Exercise for Iaido, not sharp or designed for tameshigiri |
| Shinken/Honmi | Sharp or «live» blade |
| Katana | Japanese sword with a blade upwards |
| Tachi | Sword Legacy, with the blade down |
Clothing
| Iai-gi | Exercise clothes for the upper body (not listed simply as gi in Japanese, which means «wear») |
| Monstuki | Garment for the upper body with long sleeves and mon (the emblem of the family) |
| Juban | Inner cloth worn under montsuki |
| Hakama | Baggy pants with pleats (traditional type) |
Numbers
| Ichi | One |
| Ni | Two |
| San | Three |
| Shi | Four |
| Go | Five |
| Rokku | Six |
| Shichi | Seven |
| Hachi | Eight |
| Kyu | Nine |
| Ju | Ten |
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